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429 kr
I lager, skickas inom 4 till 5 vardagar
20% rabatt med Storytel
Du handlar alltid fysiska böcker till specialpriser om du har eller startar ett abonnemang.
Frakt från 0 kr
Snabb leverans med CityMail, Early Bird, Instabox, Budbee, PostNord eller DSV. Du ser alla fraktalternativ och priser i kassan.
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Lämna tillbaka din bok kostnadsfritt med 14 dagars ångerrätt.
20% rabatt med Storytel
Du handlar alltid fysiska böcker till specialpriser om du har eller startar ett abonnemang.
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Utforska miljontals ljud- och e-böcker och upptäck stories i alla format. Med ett abonnemang får du 20% rabatt på fysiska böcker!
Positioned precariously between the uptight ’50s and the freewheeling ’70s, the 1960s marked a transitional decade in the film industry. As art, mass market, and pop culture merged and collided in true pop art style, cinema swirled with psychedelic energy. This handbook gathers the best films of the era, exploring the making and the mastery of such cinematic star turns as The Leopard, The Birds, Belle de Jour, A Fistful of Dollars, and Doctor Zhivago.
With audiences ever more glued to their TV sets and the loosened rules about what was “permissible” in cinema with the abolition of the Production Code, filmmakers embraced the freedom to explore the possibilities of film as an art form. As was often the case, the Europeans led the way, the French with Nouvelle Vague directors like Godard and Truffaut, and the Italians with such innovative films as Fellini’s 8 1/2 and Antonioni’s Eclipse.
By the mid-’60s the United States also began to exercise greater creative liberties, especially in films from young underground directors such as Russ Meyer, John Frankenheimer, and Sam Peckinpah. Meanwhile, Mary Poppins and The Sound of Music ushered out the grandiose Hollywood musical era with a bang while the Spaghetti Western became an instant phenomenon, and Kubrick set new standards for sci-fi with 2001: A Space Odyssey.
Though the term “feminism” may not have been ready for prime time, the decade was also one of major advances in female characterization. From Jane Fonda’s Barbarella to Holly Golightly of Breakfast at Tiffany’s to Bonnie Parker of Bonnie and Clyde, it was the 1960s that saw women on-screen graduate from decorative accessories to complex, kick-ass personas.
429 kr
I lager, skickas inom 4 till 5 vardagar
Jurgen Muller
Jurgen Muller, Thomas Schauerte
Charles Solomon
Greg Fraser, Josh Brolin
Jamie Hewlett
Vanessa Friedman
Emily St. James, Noel Murray
Phil Hughes, Ted Wilkes
Ed Godziszewski, Steve Ryfle
Ian Haydn Smith
Jean Claude Gautrand
Angela Pearson, Mat Brooks, Paul Tanter
Blain Brown
Taschen
Brian Kish, Daniel Sherer, Fabrizio Ballabio, Grazia Signori, Lisa Hockemeyer, Penny Sparke
David Kerekes, David Slater
Michael Newton
Alastair Phillips
Andrew Vine
T. J. Clark
William L. Coleman
Thames & Hudson Ltd
Sarah Easter Collins
Frida Skybäck
Liz Moore
Colleen Hoover
Kristin Fägerskjöld
Armando Lucas Correa
Sharon Bolton
Ruth Lillegraven
Santa Montefiore
Kelly Rimmer
Martha Hall Kelly
Svenja O'Donnell
Nathan Harris
Holly Jackson
Louise Boije af Gennäs
Tina Norin
Kristin Fägerskjöld
Pernilla Lindroos
Anna Lönnqvist
Jessie Burton
Malin Nordström
Marc Levy
Emma Donoghue
Snezana Lindskog, Andie Lindskog
Tony Samuelsson
Andrev Walden
Tina Harnesk
Kathrine Nedrejord
Anthony Doerr
Marieke Lucas Rijneveld
Lauren Groff
Claire Messud
Claire Lynch
Sebastian Barry
Ray Celestin
Simon Stranger
Alice Munro
Linda Boström Knausgård
Marit Kapla
Ulf Stark
Sarah Easter Collins
Liz Moore
Ursula Scavenius
Colleen Hoover
Michel Jean
