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'The pang of the bite, the sudden spurting of blood, and the monstrous horror of the act.'This collection, edited by Nick Groom, explores the extraordinary variety and range of the vampire in English literature prior to the publication of Bram Stoker's Dracula (1897): it includes classical and mediaeval vampires, Islamic and Caribbean vampires, aristocratic and penurious vampires, abject vampires and dandified vampires, erudite vampires and bestial vampires, invisible vampires and psychic vampires, and, of course, she-vampires.While Dracula remains the touchstone not only of the English literary vampire but of the international vampire phenomenon in the cinema, on television, on the stage, in comics, in videogames, in music, and in fashion, readers may well be surprised to discover that there is an abundant tradition of vampire literature before Stoker's iconic novel. Moreover, these earlier vampires are often very different to those portrayed in Dracula: vampires were atypical beings-at least until the advent of the Count.Although there are familiar names among the twenty-five pieces collected here such as Lord Byron, Edgar Allan Poe, Joseph Sheridan Le Fanu, Robert Louis Stevenson, and Ambrose Bierce, there are also many less familiar writers, and so neglected classics from the United States, Australia, and, in translation, France and Germany, are also included. These encompass major cultural movements from Romantic Hellenism to late-Victorian Decadence, as well as engaging in the most pressing socio-political issues of the times: colonial slavery, sexual identity, class oppression, and the very nature of the human. Nick Groom's introduction and notes accordingly explain how these diverse vampires were characterized a variety of traits, themes, and images that constituted a culture of vampirism. These include-but are not confined to-bloodsucking, together with a morbid preoccupation with blood, vitality, and predation; the exercise of power through possessing and dominating others; the prevalence of dreams and deliria that casts doubt over lived reality; the blurring of boundaries between life and death; and the enthralling intensity of beauty. Neither were such aspects of vampirism necessarily confined to the supernatural realm of the undead: they could also, for example, be understood as medical or psychological conditions. It is, then, the aim of Vampire Tales to reveal the extraordinary diversity of vampire literature in the nineteenth century.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Elaine Thomson
Peter Straub, Stephen King
Lafcadio Hearn
Anders Fager
Nina Gildert
Keith Rosson
Stephen King
Shani Struthers
C.M. Vassie
Chris Coppel
Phil Rickman
Elizabeth Dearnley
M. R. James
Arthur Conan Doyle
J. Sheridan Le Fanu
Edgar Allan Poe
Robert Louis Stevenson
Liam Higginson
Alma Katsu
Philip Fracassi
Charles Maturin
Algernon Blackwood
Michelle Paver
Laura Elliott
Sarah Easter Collins
Frida Skybäck
Liz Moore
Colleen Hoover
Kristin Fägerskjöld
Armando Lucas Correa
Sharon Bolton
Ruth Lillegraven
Santa Montefiore
Kelly Rimmer
Martha Hall Kelly
Svenja O'Donnell
Nathan Harris
Holly Jackson
Louise Boije af Gennäs
Tina Norin
Kristin Fägerskjöld
Pernilla Lindroos
Anna Lönnqvist
Jessie Burton
Malin Nordström
Marc Levy
Emma Donoghue
Snezana Lindskog, Andie Lindskog
Tony Samuelsson
Andrev Walden
Tina Harnesk
Kathrine Nedrejord
Anthony Doerr
Marieke Lucas Rijneveld
Lauren Groff
Claire Messud
Claire Lynch
Sebastian Barry
Ray Celestin
Simon Stranger
Alice Munro
Linda Boström Knausgård
Marit Kapla
Ulf Stark
Sarah Easter Collins
Liz Moore
Ursula Scavenius
Colleen Hoover
Michel Jean
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